Thank you, Bruce! Congratulations, Mathew!
Welcome to the 38th Weekly Terrible Poetry Contest! This is a special week, because the infamous Bruce Goodman has offered to judge!!!
If you’re new or looking for a brush-up, here‘s a basic outline of what ‘terrible poetry’ means. Ready? Great!
Here are the specifics for this week:
- Topic: Plot twists. Lament about how often stories have them, include a few in your poem, or pull a fast one on us and keep the poem going exactly where we expect.
- Length: Since this is Bruce’s first time, let’s be nice to him and keep the word count under 200.
- Rhyme? Your call. Have fun with it!
- As the #1 rule listed at #4, make it terrible. I want Bruce himself, master of the macabre story twist, to shake his head in disbelief and secretly envy the part of the twisting Roman gutters in which your mind lies.
- Rating? For general audiences, keep things PG-13 or cleaner. Bleep it out if you really need to release a torrent.
****NOTE**** The due date is slightly earlier, so I can get Bruce the list of entrants.
You have till 11:59 p.m. MST next Thursday (August 15) to submit a poem.
Use the form below if you want to be anonymous for a week.
For a more social experience and to ensure we receive it, include your poem or a link to it in the comments.
You’re not alone; I am also confused.
There may not be a term for what I do here, specifically, besides ‘impulsive’ or ‘whimsical’ or maybe even ‘nonsensical.’ If pressed, I like to say that I write on “many topics and in many styles of expression.” (That’s from my résumé.)
Despite this, there are two genres that I avoid: romance and mystery.
We’ll go into the former later, Dr. Freud. I only want to talk about the latter today, because I …can’t. I can’t write a mystery. “It’s not that difficult,” you might say. Or, “But, but, but -many of the stories I’ve read of yours reveal something the audience didn’t know. That’s mystery, you know.”
They’re really not, because of my approach to writing new stories. That approach is, basically, having a general idea of a theme or direction and then writing. Little details, dialogue, descriptions, and humor crop up as appropriate while I write. In a sense, I am as much in the dark as the reader until a resolution presents itself somewhere as I go.
So, today’s question is: How does one write a mystery? Plotting? Red herringing? Do you know every twist and turn and intentionally-wrongly-accused character? Do you *gasp* know whodunit from the outset?
If so, how is it any fun to write?
Looking to solve The Case of What I Did Last Week? Here are the spoilers:
Wednesday, January 16: “How to Win Friends and …Nevermind,” my admittance to social ineptitude.
Thursday, January 17: “The Cure for Depression,” the beginning of a series originally posted over at The Bipolar Writer Mental Health Blog.
Friday, January 18: Winner of the Weekly Terribly Poetry Contest. Congratulations to second-time winner, Molly Stevens.
Also, a re-post of Peregrine Arc’s writing prompt. VISIT; WRITE SOMETHING!
Saturday, January 19: Announced the tenth Weekly Terrible Poetry Contest. Enter, if you dare!
Sunday, January 20: “Home Life Poetry.” I may need to get out more on Sundays.
Monday, January 21: Some answers to Len‘s Sunshine Blogger Award Nomination.
Tuesday, January 22: “Wilhelmina Winters, Eighty.”
Also, “A Day in the Life” (a re-post of a poem I wrote on this site) at my mothering blog.
Wednesday, January 23: Today!